The Perfume Chronicles X The Rising Phoenix Perfumery Andralia Attar Review (Alexandre Helwani and J.K.DeLapp) + Inner Garden Draw

 

The Rising Phoenix Ambralia Attar by The Perfume Chronicles and JK de lapp

The Perfume Chronicles X The Rising Phoenix Perfumery Andralia Attar by Melissa Wago-Lala

“Stepping into a Greek monastery after the Divine liturgy. Sullen and solemn yet lush and bright. A tribute to our inner garden.” ~ J.K. DeLapp and Alexandre Helwani

 

Alexandre Helwani of The Perfume Chronicles and J.K. De Lapp of the Rising Phoenix

J.K. DeLapp and Alexandre Helwani drinking coffee photo via J.K. DeLapp

Last autumn, Alexandre Helwani of The Perfume Chronicles and ÇaFleureBon Contributor traveled all over the United States, cementing friendships wherever he went. He spent some wonderful time with perfumer and mutual friend John Biebel early on, then stayed with J.K. DeLapp of Rising Phoenix Perfume and his family in Georgia over Thanksgiving. During that visit with J.K, they decided to collaborate and jointly compose 100% natural attars – both of which were formally released on August 11th of this year. Alexandre has an ongoing love affair working with and collecting rare and precious aromatic materials. He had brought along some fragrances which he had composed; Joseph loved them, Alex loved Joseph’s – and the rest is a fait accompli.

 

The Rising Phoenix Ambralia attar

The Rising Phoenix Perfumery Andralia and Ambralia attars: photo by Melissa Wago-Lala

When I recently received attar samples from The Rising Phoenix Perfumery, the two collaborative perfumes were among them (J.K. and Alexandre), and I chose The Rising Phoenix Andralia to review because it felt more complex and shape-shifting than the Ambralia, (which is a magnificent amber in the great tradition). While both attars are listed on J.K.’s Etsy shop with a nod to vintage Caron, Alexandre has since clarified for me that this applies only to Andralia Attar: a perfumer friend smelt it and noted that it smelt “like an old Caron my mother had” – ergo, the tag “vintage Caron”. I happen to love (and have collected) vintage Caron perfumes, and I’ve adored attars for years, so my choice for review was obvious.

 

L’Exposition Éphémère - La Traversée de l’Orient

La Traversée de l’Orient Alexandre Helwani x La Place

Andralia Attar was a perfume which Alexandre first created when he was invited to hold an exposition in February 2019 at Paris’ ll ͤ arrondissement Galerie La Place entitled: L’Exposition Éphémère –  La Traversée de l’Orient (Ephemeral Exposition, The Oriental Journey). La Place is the creative brainchild of Virginie Roux (Creative Director of Au Pays de la Fleur d’Oranger perfumes) and partner Emmanuel Pierre (architect, interior designer and art collector): a vital pop-up community which embraces all the arts as well as perfume, a dynamic scented salon

Alexandre Helwani The Perfume Chronicles and Cafleurebon contributor

Alexandre reading sacred texts via Instagram

Alexandre had held incense preparation classes there; during his presentation of three different spiritual visages of ancient perfumery, he also provided representative medieval music, chants, prayers and spoken texts (Alex also sings medieval music!). A borrowed perfume relic (on loan from a bishop), incense burners and paraphernalia from his own collection were on display, including his own photography and perfume organ of rarities.

 

medieval perfumes

detail BBC The Coronation (2018) recipe for Coronation Oil

Andralia was initially known as Bogoroditsa – an Orthodox (Church Slavonic) name for the Holy Mother of G-d. Its name derives from both Greek and Hebrew: the Greek andra refers to humanity, and Hebrew aliyah to ascent: Ascent Towards Humanity. Of the four perfumes he composed, Andralia proved to be the most popular – a surprise to Alexandre, as it was the most quirky (his term, not mine) of the lot. It is based upon a centuries-old formula for Holy Chrism, aka consecrated anointing oil. The 14th century Orthodox Christian recipe is comprised of anywhere from 38 to 57 aromatic components prepared (boiled) over 3 days in an olive oil base; wine is usually included as well – and prayers are sung or recited during the process. Alexandre’s receipt was obtained through a monk. While there are numerous formulae (most are kept secret), a form of the Chrism is used to crown the regents of England: it consists of both sesame and olive oil, roses, orange flowers, jasmine, cinnamon, benzoin, musk, civet and ambergris.

It took several mods for Alexandre to reach an approachable approximation of the original formula – after which he proceeded to concentrate on a chypre structure. When it was completed, J.K felt that Andralia would make a wonderful attar; the receipt remained the same, and what began as perfume extrait assumed the form of an attar instead.

Andralia Attar by the Rising Phoenix and The Perfume Chronicles

Incense burning via Alexandre

First and foremost, Rising Phoenix Perfumery Andralia Attar smells divine, as if someone had flung open a door to the past and let in a rush of new breath, mingling the earthly with the sacred. It is a perfume of contrasts, replete with beckoning seductive florals such as tuberose and ylang-ylang, all buttery and indolic. First, the crispness of bergamot, a ray of illumination; then gentle rose and herbal/floral geranium glow beside the innocence of German chamomile with its haylike tones. Violet adds its grassy tenderness, flush with ionones which distantly echo the rose. Osmanthus initially smells juicy as an apricot, then melds with intense shadowy elements such as labdanum, oakmoss and Laotian oud to effect a leathery texture, offset by the dissimilar animalic nature of beeswax, ambrette and ambergris.

Jan and Hubert van Eyck’s Ghent Altarpiece 1432 public domain

The enlivening aspect of cypress is a joy, chanting its resinous deeply green refrain tinged with wood smoke and redolent of ambergris; paired with the queen of sandalwoods it imparts a consecrated feeling to the composition, ceremonial in character and dignified. It is a beautiful marriage of opposing forces lain together, as the lion with the lamb.

Notes: geranium, violet, bergamot, blue chamomile, rose, osmanthus, tuberose absolute, ylang-ylang, Laotian oud, beeswax, ambrette Co2, moss, cypress absolute, labdanum, ambergris, Mysore sandalwood oil

Samples provided by JK DeLapp – I love them!  My nose is my own…

~ Ida Meister, Senior Editor and Natural Perfumery Editor

 

The Rising Phoenix Ambralia Attar review

 Andralia Attar by Melissa Wago-Lala

Thanks to the generosity of Joseph DeLapp of The Rising Phoenix Perfumery we have two 1ml bottle of Andralia Attar for two registered readers in the USA (register here) and leave a comment with what you enjoyed about Ida’s review of The Rising Phoenix Perfumery Andralia Attar. Draw closes 9/11/2020

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32 comments

  • I cannot wait to try this-the words vintage Caron were enough to draw me in but am also a big fan of Alexandre! These notes sound like an irresistible
    Combo and am already a fan of attars, thanks to Sultan Pasha!! New Haven CT here

  • I love all that church incense talk mixed with my favorite flowers. Truly a sacred pairing. What is ancient and holy is worth bringing into the modern world. Usa

  • John Michael Jones says:

    Hello from Boston, Ma. I don’t have much experience with altars but I can’t wait to try this. The description had me drooling over here! You had me at Cypress & ylang-ylang!

  • Vintage Caron eh?! Ambergris, Ambrette, Cypress! Sounds amazing and would love for this to be the first of mine from the house – loved the correlation and the inspiration behind it. I hope it smells as rich and greeeeeeeeen as the notes sound
    From NY USA

  • There is a reason Ida won that Perfumed Plume award. Her reviews are brilliant. I absolutely love any kind of chamomile in my fragrances. I look forward to trying this one! USA

  • Bryant Worley says:

    After Ida tells us that Alexandre made an approximation of a complex and deep ancient formula, she states this: “It is a perfume of contrasts, replete with beckoning seductive florals such as tuberose and ylang-ylang, all buttery and indolic. First, the crispness of bergamot, a ray of illumination; then gentle rose and herbal/floral geranium glow beside the innocence of German chamomile with its haylike tones. Violet adds its grassy tenderness, flush with ionones which distantly echo the rose. Osmanthus initially smells juicy as an apricot, then melds with intense shadowy elements such as labdanum, oakmoss and Laotian oud to effect a leathery texture, offset by the dissimilar animalic nature of beeswax, ambrette and ambergris”, which is what I really liked about her review. The depth I perceive from the description of the fragrance makes it quite desirable.

    I live in Waldorf, MD, USA.

  • Thanks for the introduction to Rising Phoenix Perfumery. Andralia sounds like a deeply spiritual scent. Thanks for the opportunity to try. Mich USA

  • After Ida’s review I want to try this as well as others in this house. The respect for the past is very obvious and speaks for itself. Thank you to Ida for her wonderful review and many thanks to The Rising Phoenix Perfumery for making this draw possible. I’m in the USA

  • Iuno Feronia says:

    Wow, thanks for this review and the draw. Andralia sounds very special, very precious and very holy. I love scents that have a long story and traditiopn, this Andralia has both. the ingredients sound very intgerseting and I wopuld like to try it. I live in the EU.

  • Wow what a great review and a great draw as well. A holy scent, I always love church scents. Especially those with a long tradition. i would love to try this! Living in the EU.

  • This really smells divine! Tuberose/ylang-ylang on a bed of oud and oak moss. My favorite. Loved the review and the story about the incense. Thank you. USA

  • Sounds like a delightful attar and Alexandre is truly a multitalent, by how this article presents him. I hope he gets joy and recognition from all the fields he shows talent and interest in.
    This perfume sounds very appealing, especially the indolic white florals part, but also the deeper, dignified base dimension.
    I didn’t understand well from the ending if one of the prizes will go to a US reader, while the other one will go…worldwide probably? If that be the case, please count me in from the EU.

  • I loved how Andralia was the result of a serendipitous collaboration! The notes are also really intriguing, and I’d love to get into attars. I live in the UK!

  • I also love rare and precious aromatic materials. Alexandre’s presentation sounds amazing. This sounds like something I must try. I am in the USA

  • I like the idea of the reinterpretation of tradition–both the tradition of chrism and the tradition of the classic perfumery of Caron. There are so many different notes here that it is hard to envision exactly what the experience will be like, but I will take Ida’s word for it that the mixture is a success. And I like a good chypre. In the US, in NC.

  • I’ve tried attars before but I’d love to experience more. These creations that use high quality oil along with florals, beeswax, and ambergris seem intriguing. I loved how Ida described this one as a perfect blend of earthy and sacred. I am in the USA.

  • I liked the idea of the balance between the two opposing forces in this fragrance. I’m curious to see how it works. I live in the USA.

  • Wow,what a joy in discovering this attar! Attars are my faves!love this as has a connection with something sacred.and ylang-ylang and oud are my faves for ever! I live in Italy

  • Excellent, I am a fan of DeLapp’s work! This chypre attar sounds fantastic and I would love a chance to win it! I enjoyed the depth and detail of this review. From Canada.

  • wallygator88 says:

    Thank you for the lovely review Ida.

    I’ve always been fascinated by smells associated with religious practices (frankinscense, agarbatti, incense etc) and this review was an excellent nod to that.

    I really liked the paragraph (and the picture) where you spoke about Alexandre and his interest in the smells of this area.

    Regards from WI, USA

  • I loved Ida’s description of the scent as a meeting of the earthy and the divine. Alexandre is a friend of mine, and I know this would be a good way to describe him, as well. Also great to read was the fascinating history behind the creation of Andralia, and how a friendship can give birth to a fragrance. Thank you for the draw, love from France.

  • wandering_nose says:

    Chamomile can be so soothing in fragrances… And I am swooning over the other notes too. Thank you Ida for the great review, I would love to try Andralia! Commenting from Ireland

  • I really enjoyed how descriptive Ida was with the backstory of this attar. I really enjoyed learning how this attar was composed and the process that the perfumers went through in order to come up with a final product. Kind regards from Illinois, USA.

  • Never have a chance to try Attar. This beautiful review by Ida introducing us to amazing creation :”First and foremost, Rising Phoenix Perfumery Andralia Attar smells divine, as if someone had flung open a door to the past and let in a rush of new breath, mingling the earthly with the sacred.” Great description and incredible Attar!
    USA

  • Did someone said vintage Caron inspired attar, not extrait? I am in! Thanks for the opportunity. (UK and Bangladesh)

  • Ida’s review highlights the throwback nature and ecclesiastical feel of the scent. But instead of frankincense and myrrh, this sounds like a delicious floriental built on a chypre foundation. And yes, “vintage Caron” sells it for me. I’m a fan of Rising Phoenix and this attar sounds like a wonderful addition to their collection. Based in NY.

  • Loved reading the story behind Andralia, especially how it is based upon an old formula for Holy Chrism (consecrated anointing oil). Notes of Laotian oud, rose, tuberose, sandalwood, labdanum, ylang ylang, cypress, geranium, all sound lovely in a fragrance, and even more so in a concentrated attar. I am curious if Alexandre too chants prayers during the creation of Andralia batches as “prayers are sung or recited during the process” from the description in Ida’s review. Would chants and prayers make a difference in attar’s quality? Maybe Alexandre can comment!!

    Would love to try this out. Thanks for the review and draw. Writing from the USA.

  • Michael Prince says:

    Ida, I enjoyed your review about The Rising Phoenix Perfumery Andralia Attar. Alexandre sounds like a very talented and well versed perfumist. This creation with a unique formula derived from ancient Greek and Hebrew roots along with the Orthodox Christian tradition. This sounds like a masterpiece I would love to try. I am from Ohio, USA.

  • Beautiful review! I have not yet tried any attars, I just don’t know where to begin, but I look forward to sampling eventually. A review like this is a terrific nudge! Aside from the intriguing description of the scent, it was an interesting peek into the creative process and the relationships of these talented artists. Thank you for sharing with us. I’m in the US.

  • I loved reading about the inspiration and then the hard work creating this attar. I also enjoyed all the references to religion and spirituality. The combination of notes, especially the cypress, were described beautifully by Ida.
    I live in the USA.

  • The Perfume Chronicles couldn’t be more fascinating and lost in time. Trying to recreate an ancient incense formula created by Greek monks is like traveling in time and be there, incense and perfume are olfactive libraries, times machines to capture time and space where you can be onboard anytime and travel in time to those magic memories of life and imaginary history.
    The 14th-century Orthodox Christian formula is complex, rich in florals, and contains ambergris. and camomile with Mysore cedarwood, my nose is watering!
    Also, a great article with very detailed information to guide the reader and perfume lover around the history and creation of the Attar.
    I hope The Rising Phoenix Perfumery will add more obscure and lost in time attars.