Perfume Review: Louanges Profanes PG 19 by Parfumerie Générale + Pierre Guillaume’s Profane Lily Draw

Paul Delvaux, Le canape bleu, 196

Paul Delvaux La Canape Bleu, 1967

Created by Pierre Guillaume and launched in 2008, Louanges Profanes is one of my favorites among the glassy architectural Parfumerie Générale line but you don't read much about it. I love the complexity and technical skill of M Guillaume's compelling portfolio, the unexpected notes dropped in for artful drama and effect. I fell for PG 19 because of the lily note, something I adore in scent, a note sacred and profane, whorish and pure, light and dark. Here it lies, still as death upon a bier of fragrant wood, enveloped in smoke and odiferous resins, the air piquant with orange-licked jasmine and the glow of beatific skin. This is a scent of praise, olfactive religious abstractions in a secular setting. The name literally translates as profane praise, a scented prayer of sorts, redolent with holy suggestion and convent echo.  There is of course a contradiction inherent in this succinct and enigmatic title, an idea of appropriating sacred inspirations and blending the themes into one of light, shadow and temporal invocation.

paul delvaux the annunciation

Paul Delvaux The Annunciation

M. Guillaume has married symbols with decorum and intrigue. The Madonna Lily of the Anunciation, ceremonial frankincense and styrax offered up to gods above, (literally per fumum – through smoke) and lignam vitae or gaiac wood, rumoured to have been used in the building of Noah’s Ark and the Ark of the Covenant. The final touch is neroli, that marmalade and burnt sugar note, extracted from orange blossom once woven through the hair of brides as a symbol of purity and virtue.

paul delvaux shadows-1965

Shadows Paul Delvaux 1965

The fusion is heavenly, an atmospheric journey from light to shadow.  The neroli is sunlight cascading through patterned glass across a waxen floor, catching the sculptured petals of lilies as they slumber in woozy motes of light.  Resins and balms pay homage to millennia of supplication; words, song, anger and love carried upward on silent smoke. The wood is everything: floor, house, fuel, cross, coffin and pyre.

paul delvaux the-office-of-evening-1971

Paul Delvaux The Office of The Evening 1971

I am not a religious Fox, despite two near brushes with death, but I am aware of faith, one’s need to seek external succour and incandescence. I register my survival to being tough to kill, but if I’m really honest, the endless days and nights of tests and snowy wards created a small need in me to believe in something other than sheer force of will. Throughout the centuries we have believed in the power of prayer, supplication, praise and hope.  Holy and secular collide violently in the modern age; both reek of hypocrisy and repeated folly. Louanges Profanes feels talismanic in this abrupt and erroneous time, a rosary of odours, something to ponder, inhale, embrace and adore.

paul delvaux all the lights-1962

Paul Delvaux Tout les Lumieres (1962)

From a technical point of view it is an elegantly assembled woody oriental with floral flourishes. But as always with Pierre Guillaume it is so much more than that. I imagine if you shone light through his fragrances, they would refract beams like prisms. Louanges Profanes plays with light, masking and revealing elements as materials settle on skin. There is obscurity and melancholia at work in the mix; this was inevitable given the gathering of ingredients at the olfactive table.  But this is why I love it, the wistful warmth and beauty of the composition reminds me each time I wear it that even though a room may be empty the walls have seen lives come and go. Lights dim and darkness falls. Louanges Profanes is undoubtedly an unorthodox perfume, but it is lit through with grace and ambrosial offering. I find myself drawn more and more to its eccentricity and fragile beauty. It soothes my profanity and that is enough.

Notes: neroli, hawthorn, white lily, incense, bezoin, gaiac wood

The Silver Fox, Contributor and Editor of The Silver Fox

Disclosure: From my own fragrance collection

Editor’s Note: I chose to illustrate the Fox  review of Louanges Profanes with the surrealist paintings of Belgian painter Paul Delvaux (1897-1994).  Delvaux's work combined classical perfection with an erotic and troubling atmosphere, much like this PG 19 and others in the Parfumerie Generale Collection.-Michelyn Camen, Editor in Chief

Louanges Profanes Parfumerie Generale 19

Louanges Profanes PG 19 by Parfumerie Générale  (image via olfactorialist.com)

Thanks to the generosity of OSSWALDNYC we have a generous spray sample of Louanges Profanes for one USA reader. To be eligible, please leave a comment about what you enjoyed about The Silver Fox's review and your favorite Parfumerie Générale perfume. Draw closes July 23 2014.

We announce the winners only on site and on our Facebook page, so Like Cafleurebon and use our RSS option…or your dream prize will be just spilled perfume.

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15 comments

  • Love your words Alex, that PG fragrance would refract like prisms. I certainly could use a talisman, a rosary of odour, something to stain my fingers with resin and smoke to keep that glimmer beaming in the most radiant of beams bouncing back to all who may need a light . This fragrance compositions sounds beautiful and one I sadly have not tried, but that can be remedied. I love the creativeness of Pierre Guillaume, his fragrances that I own, are treasures to me as well. Great post Alex, and beautiful artwork that fits so beautifully. I am in the US and Thanks to OsswaldNYC for the generous sample.

  • Honestly- let’s face it- this is an eccentric review… and I loved it. “I am not a religious Fox, despite two near brushes with death, but I am aware of faith, one’s need to seek external succour and incandescence”
    My favorite Parfumerie Generale perfume is DjHenne, and I’m in the US.

  • Tullia d'Aragonq says:

    mmmm why just the USA, the rest of the world is awash with fragrance lovers…..

  • I loved the dark tone of this review, and how well it went with the slightly disturbing artwork and story behind the perfume. My favorite PG is Tonkamande, and I am in the US.

  • This review was extremely interesting, but what hooked me was his saying that this is an “unorthodox perfume”. I have not yet tried any Parfumerie Générale. I’m in the US.

  • Fazal Cheema says:

    Just Like the Silver Fox, I am also not religious but being the inquisitive type, i do enjoy exploring items with religious significance just because they tell us something about historical evolution of modern societies…my favorite PG fragrance is Cuir Venenum..i appreciate the generous draw by OSSWALDNYC…i reside in the US

  • I enjoyed the review because it’s, “different”.
    My favorite from the line is L`Eau Guerriere. 🙂 US

  • I thought this line from the review was sublime: “The wood is everything: floor, house, fuel, cross, coffin and pyre.” My favorite PG perfume is Coze and I live in the US.

  • I love the surrealist tinge to the essay and can’t wait to experience how it ties to the composition of Louanges Frofanes. My favorite PG is Coze. I am in the US.

  • PG is a great line and I like No. 25 Indochine quite a bit. I like the paragraph that began, “From a technical point of view…”. USA

  • silvrolive says:

    Thanks for this evocative review Silver Fox. I think the artwork definitely serves to heighten the effect of the words. I haven’t tried any of this line, but I am curious now. I am in the US.

  • Wow, just wow! What an evocative review! Your use of language paints pictures for me! My favorite sexy perfume is PG L’Oiseau de Nuit. I am in the US.

  • I really enjoy the elegant descriptions and apt comparisons in this review. The Silver Fox has a way with words. I love Tubereuse Couture, and hope to try Louanges Profanes one day. I’m in the U.S.

  • Cynthia Richardson says:

    I appreciate and respect The Fox’s personal insights regarding this fragrance and sharing a little more of himself. I have not tried any other Parfumerie Générale perfumes.